Ondskapt – Dödens Evangelium
Label: | Next Horizon Records – NHZCD001 |
---|---|
Format: | CD, Album |
Country: | Sweden |
Released: | |
Genre: | Rock |
Style: | Black Metal, Religious |
Tracklist
1 | Djävulens Ande | 7:12 | |
2 | Feeding The Flames | 5:37 | |
3 | Revelations Of Another Time | 6:29 | |
4 | Lord Of All Unclean Spirits | 5:04 | |
5 | Akilkarsa | 4:29 | |
6 | I Kristi Skugga | 6:01 | |
7 | Fienden Hungrar | 3:34 | |
8 | Interlude | 1:01 | |
9 | The Fires Of Hell | 2:06 | |
10 | Blessed By Demoniac Wrath | 3:23 | |
11 | Beast Of Death | 3:10 | |
12 | Witch | 5:23 |
Companies, etc.
- Recorded At – Necromorbus Studio
- Glass Mastered At – GZ Digital Media – R42004
- Pressed By – GZ Digital Media
Credits
Notes
Recorded in January 2004 at Necromorbus Studios.
Barcode and Other Identifiers
- Matrix / Runout (Variant 1): [GZ logo] R42004 NHRCD001
- Mastering SID Code (Variant 1): IFPI LD02
- Mould SID Code (Variant 1): IFPI 5J13
- Matrix / Runout (Variant 2): [GZ logo] R42004 NHRCD001
- Mastering SID Code (Variant 2): IFPI LD02
- Mould SID Code (Variant 2): IFPI 5J18
Other Versions (5 of 8)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Dödens Evangelium (2×LP, Album) | Next Horizon Records, Norma Evangelium Diaboli | NHZLP001 | Sweden | 2005 | ||
New Submission | Dödens Evangelium (CD, Album) | The Ajna Offensive, Next Horizon Records | FLAME27, NHZCD001 | US | 2005 | ||
Recently Edited | Dödens Evangelium (2×LP, Album, Limited Edition, Reissue, Clear Splatter) | Osmose Productions | OPLP245 | France | 2011 | ||
Recently Edited | Dödens Evangelium (CD, Album, Reissue, Digipak) | Osmose Productions | OPCD 245 | France | 2011 | ||
New Submission | Dödens Evangelium (CD, Album, Reissue) | Osmose Productions | OPCD245-1 | Europe | 2020 |
Recommendations
Reviews
- Hi!
Is it just me, or is there a change in sound in the middle of the album, right after 'I Kristi Skugga'? It's as if the second half of the album was kind of "muted" and with a little buzz over the production (it's not much, but it is there), which still retains the guitar distortion and that wonderful reverb that helps to make this album so goddamn good. But the first half just sounds cleaner, while the second half sounds as if it had gotten a worse production job. What do you think?
Thanks!
Release
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