Mouse On Mars – Parastrophics
| Genre: | Electronic |
|---|---|
| Style: | Leftfield, Abstract, Rhythmic Noise, IDM, Electro, Synth-pop, Skweee |
| Year: |
Tracklist
| The Beach Stop | 3:23 | ||
| Chordblocker, Cinnamon Toasted | 3:12 | ||
| Metrotopy | 3:45 | ||
| Wienuss | 3:42 | ||
| They Know Your Name | 3:54 | ||
| Syncropticians | 5:53 | ||
| Cricket | 2:13 | ||
| Imatch | 4:53 | ||
| Polaroyced | 3:12 | ||
| Gearknot Cherry | 2:59 | ||
| Bruised To Imwimper | 0:43 | ||
| Baku Hipster | 3:07 | ||
| Seaqz | 5:18 |
Credits (4)
- Rupert Smyth Studio*Art Direction
Adam ButlerLiner Notes [Sleeve Notes]
Andi TomaWritten-By
Jan St. WernerWritten-By
Versions
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6 versions
| Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
|---|---|---|---|---|---|---|---|---|---|
 | Parastrophics 2×LP, Album, Limited Edition, White | Monkeytown Records – MONKEYTOWN022 | Germany | 2012 | Germany — 2012 | Recently Edited | |||
 | Parastrophics 13×File, Album, MP3, 320 kbps | Monkeytown Records – MONKEYTOWN022 | Germany | 2012 | Germany — 2012 | New Submission | |||
 | Parastrophics 2×LP, Album | Monkeytown Records – MONKEYTOWN022 | Germany | 2012 | Germany — 2012 | ||||
 | Parastrophics CD, Album | Monkeytown Records – MONKEYTOWN022 | Germany | 2012 | Germany — 2012 | ||||
 | Parastrophics CD, Album, Promo | Monkeytown Records – MONKEYTOWN022P1 | Germany | 2012 | Germany — 2012 | New Submission | |||
 | Parastrophics CD, Album, Promo | Monkeytown Records – MONKEYTOWN022P2 | Germany | 2012 | Germany — 2012 | New Submission |
Recommendations
Released2014 — USA & EuropeVinyl —12", 33 ⅓ RPM, Album
Released2013 — UKVinyl —LP, Album
Released2010 — UK & USVinyl —LP, Album
Released2015 — UKVinyl —12", 33 ⅓ RPM, 45 RPM, EP
Released2016 — UKVinyl —12", 33 ⅓ RPM, EP
Released2013 — UKVinyl —LP, Album, Reissue, Repress
Vinyl —LP, Album
Vinyl —12", 33 ⅓ RPM, Stereo
Released2015 — UKVinyl —12", 33 ⅓ RPM, 45 RPM, EP
Vinyl —LP
Reviews
- I kind of wish they never added vocals to their music.
- Edited 12 years agoI know these guys are pretty serious about trying to create a deep soundscape, with a rich variety of timbres, but this album just isn't very catchy, unless you listen to it at max volume. Apart from the ping pong, I don't really detect much that hasn't been turned into electronic mashed potatoes *(although I do like the way the ping pong sound mutates over a few tracks). Seems like the main innovation this time around is to keep the beats irregular. Well, that's honestly just not very fun to listen to. It's true that the sounds change up every 30 seconds, which has the potential to be interesting, but it just doesn't sound very inspired. Sad to say.
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Recently Edited
Recently Edited
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