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Bill WithersMenagerie

Label:Columbia – JC 34903, Columbia – 34903
Format:
Vinyl, LP, Album, Stereo, Santa Maria Pressing
Country:US
Released:
Genre:Funk / Soul
Style:Rhythm & Blues, Soul, Funk

Tracklist

A1Lovely Day
Arranged By, KeyboardsClarence McDonald
BassJerry Knight
ConcertmasterCharles Veal*
Drums, ShakerRussell Kunkel*
GuitarRay Parker*
PercussionRalph MacDonald
Written-ByB. Withers*, S. Scarborough*
4:15
A2I Want To Spend The Night
Arranged By [Strings- And Horn]Paul Riser
BassKeni Burke
ConcertmasterCharles Veal*
DrumsRussel Kunkel*
GuitarBill Withers
KeyboardsDean Gant
PercussionRalph MacDonald
ProducerBill Withers, Keni Burke
Written-ByB. Withers*
3:41
A3Lovely Night For Dancing
Arranged By [Strings- And Horn]Paul Riser
BassKeni Burke
ConcertmasterCharles Veal*
DrumsAlvin Taylor
KeyboardsBill Withers
PercussionRalph MacDonald
ProducerBill Withers, Keni Burke
Written-ByB. Withers*
5:51
A4Then You Smile At Me
Arranged By [Strings- And Horn]Paul Riser
BassJerry Knight
ConcertmasterCharles Veal*
DrumsAlvin Taylor
GuitarRay Parker*
KeyboardsClarence McDonald
PercussionRalph MacDonald
Written-ByB. Withers*, C. McDonald*
4:54
B1She Wants To (Get On Down)
Arranged By [Strings- And Horn]Paul Riser
Backing VocalsHodges, James And Smith
BassKeni Burke
DrumsAlvin Taylor
GuitarRay Parker*
KeyboardsClifford Coulter
ProducerBill Withers, Keni Burke
Written-ByB. Withers*, L. Nash*
3:15
B2It Ain't Because Of Me Baby
Arranged By [Strings- And Horn]Paul Riser
BassJerry Knight
ConcertmasterCharles Veal*
DrumsAlvin Taylor
GuitarRay Parker*
KeyboardsClarence McDonald
PercussionRalph MacDonald
SynthesizerMike Jones*
Written-ByB. Withers*, M Jones*
3:31
B3Tender Things
BassKeni Burke
ConcertmasterCharles Veal*
DrumsRussel Kunkel*
GuitarRay Parker*
KeyboardsClarence McDonald
PercussionRalph MacDonald
Written-ByB. Withers*
5:02
B4Wintertime
Arranged By [Strings- And Horn]Clarence McDonald
BassKeni Burke
ConcertmasterCharles Veal*
DrumsRussel Kunkel*
Keyboards, Synthesizer, SoloistClifford Coulter
PercussionRalph MacDonald
Written-ByC. Coulter*
3:17
B5Let Me Be The One You Need
Arranged By [Strings- And Horn]Paul Riser
BassKeni Burke
ConcertmasterCharles Veal*
DrumsRussel Kunkel*
KeyboardsClarence McDonald
PercussionRalph MacDonald
Written-ByB. Withers*, S. Scarborough*
4:44
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Credits

Notes

Pressed By Columbia Records Pressing Plant, Santa Maria as indicated by “S” or “Ƨ” etched in runout.
Laquer Cut At Masterdisk as indicated by "MASTERDISK" stamped in runout.

Similar 1977 US releases include Santa Maria Pressing #2, Terre Haute Pressing, Terre Haute Pressing #2, Pitman Pressing.

Printed in U.S.A.

Spine: PC 34903
Back Cover: 34903
Label Sides: JC 34903 Stereo

Barcode and Other Identifiers

  • Pressing Plant ID (Inverted “S” etched in runout): Ƨ
  • Matrix / Runout (Label side A): AL 34903
  • Matrix / Runout (Label side B): BL 34903
  • Matrix / Runout (Runout side A): PAL-34903-1F MASTERDISK RL A7 Ƨ
  • Matrix / Runout (Runout side B): PBL-34903-1F B 10 Ƨ
  • Matrix / Runout (Runout side 1): PAL-34903-1F MASTERDISK RL
  • Matrix / Runout (Runout side 2): P BL 34903-1G (stamped)

Other Versions (5 of 29)

View All
Title (Format)LabelCat#CountryYear
Recently Edited
Menagerie (LP, Album)CBS, CBSS CBS 82265, 82265UK1977
New Submission
Menagerie (LP, Album, Promo)ColumbiaJC 34903US1977
New Submission
Menagerie (LP, Album, Unofficial Release)Holy Hawk Record Co. Ltd.HH-6355Taiwan1977
New Submission
Menagerie (LP, Album, Stereo)ColumbiaPC 34903Canada1977
New Submission
Menagerie (LP, Album)CBSCBS 82265Spain1977

Recommendations

Reviews

  • Seand67's avatar
    Seand67
    Great review Brandosoul. I agree 100% and was so happy to find this LP at an affordable price. Truly essential. The cast of supporting musicians, including Ray Parker Jr, is top notch
    • brandosoul's avatar
      brandosoul
      Edited 3 years ago
      1977 marked a rather crucial year in popular music where mainstream America embraced tastes and sounds that had been boiling in the underground for years: disco ruled the day and punk rock became the new status quo. Recognizable soul vets like Withers had difficulties adjusting to the new landscape, resulting in their music not being given the same regard as it once did in the marketplace. In order to garner commercial love, every great artist encounters a period where they have to refine their established style to fit the present climate. It can work in their favor, or be disastrous. Luckily, Bill Withers didn't stray too far from his soulful grace to strike up his highest-charting hit since "Kissing My Love" four years prior with the summery, optimistic staple, "Lovely Day." That classic's parent album, Menagerie evoked the similar posh, easygoing spirit of that song, with Withers embracing decidedly commercial and slick sounds of the disco era, while forgoing the risk of losing his artistic integrity. It's one of those stellar platters that obviously wasn't hard to love among soul and jazz purists who enjoyed the sophisticated flavors of the quiet storm era because, as its title suggests, it unfurled a mix of musical textures with lasting immediacy that works, courtesy of the series of respected co-producers Withers worked with. While everything here wasn't as fully-realized and affecting as Withers' former work, Menagerie proved to be one of the most consistent entries in his canon.

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