C-Schulz & Hajsch – C-Schulz & Hajsch

C-Schulz - C-Schulz & Hajsch album cover

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Label:	Sonig – sonig 13 cd
Format:	CD, Album
Country:	Germany
Released:	Jul 2000
Genre:	Electronic
Style:	Abstract, Experimental

Tracklist

1	1 Tape [Field-recording] – Monika Westphal	4:49
2	2 Flute – Katinka Reinert	9:42
3	3 Horns – Harald 'Sack' Ziegler*	8:22
4	4 Tape [Field-recording] – Daisuke Suzuki	2:18
5	5 Flute – Katinka Reinert Horns – Harald 'Sack' Ziegler* Tape [Field-recording] – Jeph Jerman	4:35
6	6 Performer [Bricks] – Daisuke Suzuki Performer [Fire] – Monika Westphal	5:53
7	7 Horns – Harald 'Sack' Ziegler* Saxophone – Gregor Hotz Tuba – Lu Hübsch*	2:39
8	8 Saxophone – Gregor Hotz Tape [Recording Of Voices] – Hein Bruehl Tuba – Lu Hübsch*	1:45
9	9 Performer [Window Shades] – Andrä Klaukien Tape [Field-recording] – Monika Westphal	2:49

Companies, etc.

Glass Mastered At – Sonopress – A-33367

Credits

Harmonium, Accordion, Piano, Clarinet, Performer [Window Shades, Radio], Percussion, Tape [Concrete Sounds] – C-Schulz
Music By – C-Schulz (tracks: 1 to 7, 9), Hajsch
Organ, Synthesizer, Guitar, Tape [Field-recordings], Performer [Feedback, Window Shades], Percussion, Tape [Concrete Sounds], Melodica, Electronics [Vocoder], Photography, Artwork By [Cover] – Hajsch

Notes

Comes in Digipak

Hajsch thanks Damar Bürgermeister, Marlies, Scott Walker, Ingmar Bergman, Sonja, Bettina Gonschorek, Andreas Heyden, Kurt
Schröter, Alex Weger, Hein Bruehl and Daisuki Suzuki.

Barcode and Other Identifiers

Rights Society: Gema
Label Code: LC 10761
Matrix / Runout: [Sonopress logo] A-33367/ SONIG13CD B
Mastering SID Code: IFPI L0 30
Mould SID Code: IFPI 0737

Other Versions (2)

View All

	Title (Format)	Label	Cat#	Country	Year
Recently Edited	C-Schulz & Hajsch (CD, Album)	Tokuma Japan Communications	TKCB-71988	Japan	2000
Recently Edited	C-Schulz & Hajsch (LP, Album)	Sonig	sonig 13 lp	Germany	2001

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Reviews

fivershutch Apr 15, 2004
A highly experimental release. Complete with the sound of strange voices, a campfire burning, concrete sounds, windowshades, etc. This release sounds like it was recorded with a 3-D holophonic effect (it reminds me a lot of the experimental interludes that you hear the Dreams Less Sweet LP by Psychic TV). This LP is not as captivating as Schulz's Film Ton release on Extreme. Both releases are great for late night listening or back ground material for reading and being online!