Thomas Dimuzio – Louden
Label: | Odd Size – CD OS 20 |
---|---|
Format: | CD, Compilation, Remastered |
Country: | France |
Released: | |
Genre: | Electronic |
Style: | Abstract, Experimental, Ambient |
Tracklist
1 | Part One: Self-Proclaimed Contention (Without Variation) | 8:55 | |
2 | Part Two: Of Vast And Barren, Rotting Wastelands | 8:08 | |
3 | Random Variable | 6:22 | |
4 | Displacement Manifesto | 4:23 | |
5 | Denial Of Acquittal | 7:24 | |
6 | Baby-Push | 4:23 | |
7 | Chronology: Linear Phase | 14:25 | |
8 | A.S.S.W.A.R.L.T. | 15:29 |
Companies, etc.
- Phonographic Copyright ℗ – Gench Music
- Copyright © – Thomas Dimuzio
- Remastered At – Gench Studios
- Made By – Dureco France
Credits
- Artwork [Metal Etching By] – Anne Bonham
- Artwork, Layout – Thomas Dimuzio
- Transferred By [DAT To CD Transfers By] – Vance Galloway
- Written-By, Performer [Played], Recorded By, Mixed By – Thomas Dimuzio
Notes
Originally recorded to 8 track analog.
Tracks 1, 2, 4, 5 from "Delineation Of Perspective" cassette (generations unlimited, 1987).
Tracks 3, 6, 7 from "Flux" cassette (gench, 1988).
Track 8 from "19th Monkey Schism" cassette (xkurshen sound, 1988).
All material © 1987, 1988 & 1997 Thomas Dimuzio
℗ 1997 Gench Music (BMI)
Tracks 1, 2, 4, 5 from "Delineation Of Perspective" cassette (generations unlimited, 1987).
Tracks 3, 6, 7 from "Flux" cassette (gench, 1988).
Track 8 from "19th Monkey Schism" cassette (xkurshen sound, 1988).
All material © 1987, 1988 & 1997 Thomas Dimuzio
℗ 1997 Gench Music (BMI)
Barcode and Other Identifiers
- Rights Society (Performance rights): BMI
- Matrix / Runout: DURECO FR OSCD20
- Mastering SID Code: IFPI L373
Recommendations
Reviews
- DIMUZIO uses the latest digital technology to create his up-to-the-minute concrete collages. In the past he's worked with people like CHRIS CUTLER, TOM CORA, JOHN WIGGINS & DUE PROCESS. His sound is a curious combination of Industrial noise and almost film soundtrack-like composition. Immediate comparisons to the likes of LULL spring to mind, but where MICK HARRIS' project is dark & minimal, this seethes with layer-upon-layer of metal, railway yard ambience, snatched voice, bowed guitar, delay feedback, synthetic strings and an unlimited supply of found sounds which go together curiously well. There are few fixed points of composition - it's more a languid journey through the familiar made alien. DIMUZIO seems to dehumanise those things we take for granted, then compile them in a reorganised, re-humanised way. It's grey, muddy, indistinct territory - as layered, coloured & textured as striated rock formations through which we can find, through accident maybe or calculated design, glimpses of intriguing fossils or maybe even the glint of some gemstone. A lot of this reminds me not only of JERRY GOLDSMITH's music for the original 'Alien' soundtrack (which was later rehashed by JACK HORNER for sundry other films, but never as well), but of the music ANTONYM created back in the early 80s (albeit a more stripped-down, minimal version). Tie yourself into your chair and travel within DIMUZIO's strange and chilling netherworld - it's worth the journey, although I can't guarantee you'll retain your sanity.
Originally reviewed for Soft Watch.
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