Track B1 contains an interpolation of "Go With The Flow" by Jeremy. Track B2 contains a sample of "Dear Brian" by Chris Rainbow. Track B3 contains a sample of the work "New Dream" performed by Clay Pedrini.
100 copies were retailed by Assai Records with an approved hand-numbered Japanese style obi under Assai Obi Editions.
Yeah, the mastering of this record is... unexpected, especially for this genre. So clear, dynamic, super punchy bass. Really fun to listen to, and a great album to show off your hifi system with. Highly recommend. And yeah, this is their best album since † (cross).
These guys fill the void Daft Punk left, and they are doing it brilliantly. This vinyl pressing is everything one could ask for... Soundstage, details and bassy
The production on this is superb. State of the art and takes dance music to another level. IMAX scale and detail, but organic and natural, with a huge, lush BASS.
Just got mine! When the music is playing, it sounds fantastic. I mean, really FANTASTIC! But quieter passages expose crackle to my Hana ML that's really very unsatisfactory. Going to exchange for the black pressing in the hope that the surface noise disappears. Glossy gatefold/inners are gorgeous, however.
How is vinyl surface noise still an issue in 2024?! Plants like RTI, QRP, Pallas, and Record Industry seem to have largely figured it out. Should pressing “perfect” vinyl still be elusive 150 years after America invented this medium?