David Bowie – David Bowie
Genre: | Rock, Pop |
---|---|
Style: | Folk Rock, Country Rock, Space Rock, Psychedelic Rock |
Year: |
Tracklist
Space Oddity | 5:13 | ||
Unwashed And Somewhat Slightly Dazed | 6:09 | ||
Don't Sit Down | 0:39 | ||
Letter To Hermione | 2:30 | ||
Cygnet Committee | 9:22 | ||
Janine | 3:22 | ||
An Occasional Dream | 2:54 | ||
The Wild Eyed Boy From Freecloud | 4:46 | ||
God Knows I'm Good | 3:17 | ||
Memory Of A Free Festival | 7:06 |
Credits (24)
- David BowieArranged By
- Tony ViscontiArranged By
- Herbie FlowersBass
- Honk (3)Bass
- Tony ViscontiBass
- Paul BuckmasterCello
Notes
From 1967 to 2016 the English musician David Bowie released twenty-six studio albums.
David Bowie, also known as Space Oddity, is the second studio album by British rock musician David Bowie. It was recorded from June to September 1969 and was released on November 4, 1969 on Phillips Records, England label. This album has been released and re-released with various titles and various cover-designs over time. It's generally considered Bowie's first rock album.
The 1969 original versions were released on Philips and titled "David Bowie" while the concurrent North American (US and Canada) releases on Mercury had a strap line "Man Of Words / Man Of Music" at the top of the album. Although Mercury still cataloged it as "David Bowie" it was commonly called by the strap line, and when RCA repackaged and re-released it in 1972, they erroneously referred to this advertising title. Both Philips and Mercury releases use images from the same 1969 portrait photo-shoot on the front cover, but as the Mercury image is a different frame and enlarged the artwork surrounding the portrait was not included.
The 1969 North American Mercury release removes a short hidden track, between "Unwashed and Somewhat Slightly Dazed" and 3 "Letter to Hermione". On the UK Philips edition, this piece of music was, as indicated by the groove rills, at the beginning of "Letter to Hermione", yet was timed as being part of "Unwashed and Somewhat Slightly Dazed".
In 1972, following Bowie's commercial breakthrough in the United Kingdom, RCA reissued the North American version, without the hidden track. This version was retitled "Space Oddity", after the album's opening track and big hit, and sported a new cover depicting Bowie as Ziggy Stardust. Rear cover art, when including timings, still included the hidden track, even though it was not present on any RCA issue. The altered title and cover art also carried over to RCA's CD reissues of the album in 1984-1985.
In 1990, using the same front cover as the 1972 RCA issue, the album was remastered and re-released by Rykodisc in North America and EMI internationally. This edition not only restored the hidden track, but also named it for the first time - "Don't Sit Down". Most later official editions contain the music as presented on the original 1969 UK Philips album. Since 1997, most do not name the hidden track.
In 1999, EMI and Virgin remastered the album again as part of the David Bowie Series, using the 1969 cover and the 1972 title. Like the other albums in the series, this edition used heavy no-noising to remove tape hiss. In 2009, for the 40th Anniversary edition, it was remastered a third time by EMI and Virgin with title and cover art exactly as the original UK release. In 2015, the album saw a fourth remaster for the boxset [Five Years 1969 - 1973], the inaugural release of Bowie's incumbent remastering campaign by Parlophone Records, who inherited the rights to Bowie's catalog following the dissolution of EMI in 2012. It would later receive a standalone release across formats the following year. This remaster is notorious for its numerous technical issues, and Parlophone later admitted that it wasn't adequately cross-referenced with the original 1969 LP.
In 2019, the album was remixed by Tony Visconti for the 50th anniversary box set Conversation Piece. The remixed version was also issued as a standalone LP and CD edition under the name "Space Oddity". This edition restored the track "Conversation Piece" to the album's running order for the first time, but removed "Don't Sit Down".
The musicians on the album were hired for the sessions and included among others Herbie Flowers, Rick Wakeman, Tony Visconti and members of the band Junior's Eyes, who would act as Bowie's band promoting the album. While the album didn't chart in 1969 and was considered a commercial failure, the 1972 re-release charted in 17th position on the UK charts.
David Bowie, also known as Space Oddity, is the second studio album by British rock musician David Bowie. It was recorded from June to September 1969 and was released on November 4, 1969 on Phillips Records, England label. This album has been released and re-released with various titles and various cover-designs over time. It's generally considered Bowie's first rock album.
The 1969 original versions were released on Philips and titled "David Bowie" while the concurrent North American (US and Canada) releases on Mercury had a strap line "Man Of Words / Man Of Music" at the top of the album. Although Mercury still cataloged it as "David Bowie" it was commonly called by the strap line, and when RCA repackaged and re-released it in 1972, they erroneously referred to this advertising title. Both Philips and Mercury releases use images from the same 1969 portrait photo-shoot on the front cover, but as the Mercury image is a different frame and enlarged the artwork surrounding the portrait was not included.
The 1969 North American Mercury release removes a short hidden track, between "Unwashed and Somewhat Slightly Dazed" and 3 "Letter to Hermione". On the UK Philips edition, this piece of music was, as indicated by the groove rills, at the beginning of "Letter to Hermione", yet was timed as being part of "Unwashed and Somewhat Slightly Dazed".
In 1972, following Bowie's commercial breakthrough in the United Kingdom, RCA reissued the North American version, without the hidden track. This version was retitled "Space Oddity", after the album's opening track and big hit, and sported a new cover depicting Bowie as Ziggy Stardust. Rear cover art, when including timings, still included the hidden track, even though it was not present on any RCA issue. The altered title and cover art also carried over to RCA's CD reissues of the album in 1984-1985.
In 1990, using the same front cover as the 1972 RCA issue, the album was remastered and re-released by Rykodisc in North America and EMI internationally. This edition not only restored the hidden track, but also named it for the first time - "Don't Sit Down". Most later official editions contain the music as presented on the original 1969 UK Philips album. Since 1997, most do not name the hidden track.
In 1999, EMI and Virgin remastered the album again as part of the David Bowie Series, using the 1969 cover and the 1972 title. Like the other albums in the series, this edition used heavy no-noising to remove tape hiss. In 2009, for the 40th Anniversary edition, it was remastered a third time by EMI and Virgin with title and cover art exactly as the original UK release. In 2015, the album saw a fourth remaster for the boxset [Five Years 1969 - 1973], the inaugural release of Bowie's incumbent remastering campaign by Parlophone Records, who inherited the rights to Bowie's catalog following the dissolution of EMI in 2012. It would later receive a standalone release across formats the following year. This remaster is notorious for its numerous technical issues, and Parlophone later admitted that it wasn't adequately cross-referenced with the original 1969 LP.
In 2019, the album was remixed by Tony Visconti for the 50th anniversary box set Conversation Piece. The remixed version was also issued as a standalone LP and CD edition under the name "Space Oddity". This edition restored the track "Conversation Piece" to the album's running order for the first time, but removed "Don't Sit Down".
The musicians on the album were hired for the sessions and included among others Herbie Flowers, Rick Wakeman, Tony Visconti and members of the band Junior's Eyes, who would act as Bowie's band promoting the album. While the album didn't chart in 1969 and was considered a commercial failure, the 1972 re-release charted in 17th position on the UK charts.
Versions
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272 versions
Image | , | – | In Your Collection, Wantlist, or Inventory | Version Details | Data Quality | ||||
---|---|---|---|---|---|---|---|---|---|
David Bowie LP, Album | Philips – SBL 7912, Philips – 852 146 BY | Netherlands | 1969 | Netherlands — 1969 | Recently Edited | ||||
Man Of Words / Man Of Music LP, Album, Stereo, Gatefold Sleeve | Mercury – SR 61246, Mercury – SR-61246 | US | 1969 | US — 1969 | Recently Edited | ||||
David Bowie LP, Album, Stereo, Gatefold | Philips – SBL 7912, Philips – SBL.7912, Philips – 852 146 BY | UK | 1969 | UK — 1969 | |||||
Man Of Words/Man Of Music LP, Album, Promo, Gatefold Sleeve | Mercury – SR 61246 | US | 1969 | US — 1969 | Recently Edited | ||||
David Bowie LP, Album, Stereo | Philips – PDS 339 | Australia | 1969 | Australia — 1969 | New Submission | ||||
David Bowie LP, Album, Stereo | Philips – BY 852146 | New Zealand | 1969 | New Zealand — 1969 | New Submission | ||||
David Bowie LP, Album, Gatefold (Unassigned Credits) | Philips – SBL 7912, Philips – SBL.7912, Philips – 852 146 BY | UK | 1969 | UK — 1969 | New Submission | ||||
Man Of Words / Man Of Music LP, Album | Mercury – SR.61246 | Canada | 1969 | Canada — 1969 | New Submission | ||||
David Bowie LP, Album, Stereo, Gatefold (Hybrid label variant) | Philips – SBL 7912, Philips – SBL.7912, Philips – 852 146 BY | UK | 1969 | UK — 1969 | New Submission | ||||
David Bowie LP, Album, Test Pressing | Philips – 852 146 | UK | 1969 | UK — 1969 | New Submission | ||||
David Bowie LP, Album, Stereo | Philips – PST 5148, Philips – 852 146 Y | South Africa | 1970 | South Africa — 1970 | |||||
David Bowie LP, Album | Philips – 58 52 146 | Spain | 1970 | Spain — 1970 | New Submission | ||||
David Bowie LP, Album, Stereo | Philips – 852 146 BY/P | Italy | 1970 | Italy — 1970 | |||||
Man Of Words/Man Of Music LP, Album, Repress, Gatefold Sleeve | Mercury – SR 61246 | US | 1970 | US — 1970 | Recently Edited | ||||
Space Oddity LP, Album, Reissue, Stereo | RCA Victor – LSP-4813 | UK | 1972 | UK — 1972 | Recently Edited | ||||
Space Oddity LP, Album, Reissue | RCA Victor – LSP-4813 | Canada | 1972 | Canada — 1972 | Recently Edited | ||||
Space Oddity LP, Album, Reissue, Hollywood Press | RCA Victor – LSP-4813 | US | 1972 | US — 1972 | Recently Edited | ||||
Space Oddity 8-Track Cartridge, Album, Reissue | RCA Victor – P8S-2101 | US | 1972 | US — 1972 | New Submission | ||||
Space Oddity LP, Album, Reissue | RCA Victor – LSP-4813, RCA Victor – LSP 4813 | Germany | 1972 | Germany — 1972 | New Submission | ||||
Space Oddity LP, Album, Reissue | RCA Victor – LSP 4813 | New Zealand | 1972 | New Zealand — 1972 | New Submission | ||||
Space Oddity Cassette, Album, Reissue | RCA Victor – PK-2101 | US | 1972 | US — 1972 | New Submission | ||||
Space Oddity Cassette, Album, Reissue | RCA – PK 2101 | UK | 1972 | UK — 1972 | New Submission | ||||
Space Oddity LP, Album, Reissue, Stereo, Indianapolis Pressing | RCA Victor – LSP-4813, RCA – LSP-4813 | US | 1972 | US — 1972 | Recently Edited | ||||
Space Oddity LP, Album, Reissue, Stereo, Rockaway Press | RCA Victor – LSP-4813 | UK & US | 1972 | UK & US — 1972 | Recently Edited | ||||
Space Oddity LP, Single Sided, Test Pressing, White Label, Stereo | RCA – bprs-4501 | US | 1972 | US — 1972 | Recently Edited | ||||
Space Oddity Reel-To-Reel, 7 ½ ips, ¼", 4-Track Stereo, 7" Cine Reel, Album | RCA Victor – EPPA 4813-C | US | 1972 | US — 1972 | New Submission | ||||
Space Oddity LP, Album, Reissue | RCA Victor – 38-451, RCA – 38-451 | South Africa | 1972 | South Africa — 1972 | Recently Edited | ||||
Space Oddity LP, Album, Reissue, Stereo | RCA Victor – LSP-4813 | Uruguay | 1972 | Uruguay — 1972 | New Submission | ||||
Space Oddity LP, Album, Reissue | RCA Victor – LSP 4813 | UK | 1972 | UK — 1972 | New Submission | ||||
Space Oddity 8-Track Cartridge, Album, Reissue, Stereo | RCA – P8S 2101 | UK | 1972 | UK — 1972 | New Submission | ||||
Space Oddity LP, Album, Reissue, Dynaflex | RCA Victor – LSP-4813 | US | 1972 | US — 1972 | Recently Edited | ||||
Space Oddity LP, Album, Reissue, Canada Dynaflex Pressing | RCA Victor – LSP-4813 | UK | 1972 | UK — 1972 | New Submission | ||||
Space Oddity 8-Track Cartridge, Album, Reissue, Stereo | RCA Victor – P8S-210 | 1972 | 1972 | New Submission | |||||
Space Oddity Cassette, Album, Reissue | RCA – PK 2101 | UK | 1972 | UK — 1972 | New Submission | ||||
Space Oddity LP, Album, Reissue, Test Pressing, Rockaway Press | RCA Victor – LSP-4813, RCA Victor – BPRS 4501 | US | 1972 | US — 1972 | New Submission | ||||
Space Oddity LP, Album, Reissue | RCA Victor – LSP-4813, RCA Victor – LSP 4813 | Germany | 1972 | Germany — 1972 | New Submission | ||||
Space Oddity LP, Album, Reissue | RCA Victor – LSP 4813 | UK | 1972 | UK — 1972 | New Submission | ||||
Space Oddity LP, Album, Reissue, Stereo | RCA Victor – LSP-4813 | Philippines | 1972 | Philippines — 1972 | New Submission | ||||
Space Oddity Cassette, Album, Reissue | RCA – PK 2101 | UK | 1972 | UK — 1972 | New Submission | ||||
Space Oddity 8-Track Cartridge, Album | RCA Victor – P8S-2101 | Canada | 1972 | Canada — 1972 | New Submission |
Recommendations
Reviews
- I have a spare OIS in G+ condition (2 seam splits, stains, creased corners) if anyone is interested in it.
referencing David Bowie (LP, Album, Stereo) 852 146 BY/P
Ciao
mi servirebbe un parere di un esperto collezionista di Bowie su questa edizione italiana.
Vedo dalle foto delle copie in vendita che il colore delle label è un blu piuttosto scuro, da personali ricordi ormai di decine e decine di anni fa ero convinto che il colore fosse un blu molto più chiaro, tendente all'azzurro.
Non so se mi confondo con i 45 giri della Philips o che altro
Sapete per cortesia dirmi qualcosa a questo riguardo e se il mio ricordo è errato?
grazie 1000 emi- I have nothing to compare it to but this pressing merely sounds okay. I, for one, am going to seek out another pressing. It leaves me wanting something better. There is no “skips” or other quality issues that others have reported. A fine package all-in-all and readily available for those who don’t own a copy.
referencing Space Oddity (LP, Album, Reissue) LSP 4813
I would like to understand why this pressing is so expensive no? Something justify this kind of price?referencing Space Oddity (LP, Album, Repress, Stereo) 461008
Very good pressing. Words words words words words words words words words words- I have absolutely no idea which release I have but I'll opt for this as a "best-fit".
Side 1 matrix run-out looks like BPRS 4501 4S ï ^7
Side 2 matrix run-out looks like BPRS 4502 2S 9S ï
And my sleeve on the front just says 'Previously released on Philips Records SBL 7912"
The back has the London address of Curzon Street at bottom left.
I think that I have a mix'n'match copy. - Edited 3 months agoLike (most of) the other Parlophone Bowie releases, this sounds fantastic. Space Oddity and Memory of a Free Festival are worth the price of admission alone, however there's some other gems here. If you're experiencing skipping, you may need to just get a higher-end turntable, as I didn't experience any
referencing Space Oddity (LP, Album, Reissue) LSP-4813
Yes the writing in dead wax is TG and it’s good version to own in my opinion. The very same pressing was used as 1972 UK release.- I returned this record because there was a skip on the first track. I got a new copy and there was a skip in the same place.
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