Carl Stone – Electronic Music From The Eighties And Nineties
Label: | Unseen Worlds – UW20 |
---|---|
Format: | 2 x Vinyl, LP, Album, Gatefold |
Country: | US |
Released: | |
Genre: | Electronic |
Style: | Experimental, Musique Concrète |
Tracklist
A | Banteay Srey | 14:09 | |
B | Sonali | 16:58 | |
C | Woo Lae Oak | 23:06 | |
D | Mae Yao | 23:23 |
Companies, etc.
- Copyright © – Unseen Worlds
- Copyright © – Carl Stone
- Phonographic Copyright ℗ – Electro-Acoustic Music
- Mastered At – Dubplates & Mastering
- Lacquer Cut At – Dubplates & Mastering
Credits
- Electronics – Carl Stone
- Liner Notes – Carl Stone, Robin Rimbaud, Tim Rutherford-Johnson
- Mastered By, Lacquer Cut By – CGB*
Notes
Includes Unseen Worlds postcard with download code of entire album.
1991 Banteay Srey was created as part of the High Definition Video project "Recurring Cosmos," commissioned by SONY-PCL and directed by Fumahide Anami. The original recording for the soundtrack was made by Ken Caillat and Michael Hutchinson using the Spherical Sound process. Previously issued on compact-disc Carl Stone - Mom's.
1988 Sonali previously issued on compact-disc Carl Stone - Four Pieces.
1981 Woo Lae Oak (from The Korean Series, 1981-1983) was commissioned by the Contemporary Music Festival 1981, produced by the California Institute of the Arts and the Music Department of the University of California San Diego, and was realized in the Studios of the California Institute of the Arts. This is a shorter version of the entire piece previously reissued on compact-disc Carl Stone - Woo Lae Oak.
1984 Mae Yao previously unreleased.
1991 Banteay Srey was created as part of the High Definition Video project "Recurring Cosmos," commissioned by SONY-PCL and directed by Fumahide Anami. The original recording for the soundtrack was made by Ken Caillat and Michael Hutchinson using the Spherical Sound process. Previously issued on compact-disc Carl Stone - Mom's.
1988 Sonali previously issued on compact-disc Carl Stone - Four Pieces.
1981 Woo Lae Oak (from The Korean Series, 1981-1983) was commissioned by the Contemporary Music Festival 1981, produced by the California Institute of the Arts and the Music Department of the University of California San Diego, and was realized in the Studios of the California Institute of the Arts. This is a shorter version of the entire piece previously reissued on compact-disc Carl Stone - Woo Lae Oak.
1984 Mae Yao previously unreleased.
Barcode and Other Identifiers
- Barcode (Scanned (Stickered)): 766008587874
- Rights Society: ASCAP
- Matrix / Runout: (Side A runout): UW20LP A CEB @ D&M
- Matrix / Runout: (Side B runout): UW20LP B CEB @ D&M
- Matrix / Runout: (Side C runout): UW20LP C CEB @ D&M
- Matrix / Runout: (Side D runout): UW20LP D CEB @ D&M
Other Versions (1)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
New Submission | Electronic Music From The Eighties And Nineties (4×File, MP3, 320 kbps) | Unseen Worlds | UW20 | US | 2018 |
Recommendations
Reviews
- True about the spine that reads wrongly "Electronic Music From The Seventies and Eighties", taken from the previous layout of course - i love errors so anyway it's ok for me :). I always loved deeply Carl Stone's digital music and was quite curious about listening to it on vinyl, suspecting that would be a loss of his famous avant garde clinical marvellous precise sound, but what a surprise! Those tracks are marvellous and haunting and sounds very nice, with an unusual warm vibe all the way. I listened to it once and i know i'll listen to it regularly - already a favorite of mine! so i can only recommend it.
- Bizarrely the spine of the sleeve reads "Electronic Music From The Seventies and Eighties". Actually, only Track 1 is from the Nineties. When I first played it there was a load of crunchy "in-fill" noise for at least two-thirds of the 14 minutes on Side 1, and I was about to return the vinyl as a faulty pressing, but then I played it again and the crunchy noise miraculously disappeared. Very odd! (And, no, it wasn't meant to be part of the music!) Overall, an enjoyable album but done much better by the likes of Brian Eno or Harold Budd.
- Edited 5 years agoVinyl is staticky with little clicks and pops here and there. There is definitely enough dead wax on the first disc, they could have spaced the grooves out a little more, they look crammed. Other than the surface noise, a nice sounding record, decent dynamics, full, rich electronic tones, an enjoyable listen to say the least.
Release
For sale on Discogs
Sell a copy14 copies from $27.75
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