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NewOrder*TrueFaith-94

Label:London Records – NUO CD5, London Records – 857865.2
Format:
CD, Single
Country:UK
Released:
Genre:Electronic, Pop
Style:House, Synth-pop

Tracklist

1TrueFaith-94 (Radio Edit)4:30
2TrueFaith-94 (Perfecto Radio Edit)
Producer [Additional Production By], RemixP. Oakenfold & S. Osbourne*
RemixPerfecto
4:06
3TrueFaith-94 (Perfecto Mix)
Producer [Additional Production By], RemixP. Oakenfold & S. Osbourne*
RemixPerfecto
6:26
4TrueFaith-945:35
5TrueFaith-94 (The TWA Grim Up North Mix)
Guitar [Additional Guitar By]The Prof
Producer [Additional Production By], RemixN. Raphael*, P. Dillon*, P. Fryer*, TWA
Vocals [Additional Vocals By]Black Expressions
6:11
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Credits

Notes

Inlay:
Mix5 additional production and remix by TWA - P. Fryer, P. Dillon & N. Raphael.
TrueFaith-94, taken from the forthcoming album, 'The best of NewOrder' CD 8285802, MC 8285804, LP 8285801.

Designed at Thomas Manss & Company.

℗ 1994 London Records 90 Ltd. © 1994 London Records 90 Ltd. The copyright in this sound recording is owned by London Records 90 Ltd. Marketed in France by Barclay & in Germany by Metronome Musik GmbH.

Disc:
℗ 1994 London Records 90 Ltd © 1994 London Records 90 Ltd
_
Packaging:
J-card case.
Insert: 4-panel J-card, color print exterior, no print interior.
CD: black print.
Some copies have a "Made in Great Britain" sticker affixed to the case.

Track durations are not printed on the release.

Barcode and Other Identifiers

  • Barcode (Printed): 0 42285 78652 1
  • Barcode (Scanned): 042285786521
  • Rights Society: BIEM STEMRA
  • Label Code: LC 7654
  • Price Code: BA 940
  • Matrix / Runout: NUOCD5 10325341 01 & MADE IN U.K. BY PDO
  • Mould SID Code (Variant 1): IFPI 0408
  • Mould SID Code (Variant 2): IFPI 0451
  • Mould SID Code (Variant 3): IFPI 0453
  • Mould SID Code (Variant 4): IFPI 0454
  • Mould SID Code (Variant 5): none
  • Mould SID Code (Variant 6): IFPI 0452
  • Mould SID Code (Variant 7): IFPI 0404

Other Versions (5 of 107)

View All
Title (Format)LabelCat#CountryYear
True Faith / 1963 (7", 45 RPM, Single)Factory, FactoryFac 183/7, Fac 183UK1987
True Faith / 1963 (12", 45 RPM, Single)FactoryFac 183UK1987
True Faith Remix (12", 45 RPM, Single)FactoryFac 183RUK1987
True Faith / 1963 (12", 33 ⅓ RPM, Maxi-Single, ARC Pressing)Qwest Records, Qwest Records0 - 20733, 9 20733-0US1987
True Faith (CD, Single, Promo)Qwest RecordsPRO-CD-2899US1987

Recommendations

Reviews

  • djphineart's avatar
    djphineart
    As a working DJ these mixes all stand up to the test of time and on a good club system still rock a crowd. Can fully understand why some dislike the re-rub asa concept but for serious club play its job done. Quite like the TWA mixes time has gone by]
    • mjb's avatar
      mjb
      Edited 18 years ago
      Much like when George Lucas 'cleaned up' Star Wars, this single demonstrates exactly why a producer should never be allowed to go back and 'fix' something that wasn't broken. The original mix of 'True Faith', while being New Order's most radio-friendly pop song to date, was a thick and somewhat sinister (beneath the surface) 5-and-half minute symphony for getting lost in. As released on Substance, it did sport some tape hiss, a few dropouts, one noticeable mastering glitch in the intro, and relatively flat, vinyl-targeted mastering as was common in the early days of CDs. However, years later, it still held up as an exquisitely dressed pop song, almost shoegaze-like with its churning, drum machine-underpinned wall of fuzzy, yet tonal sound. For the 1994 re-release of the single in advance of a 'Best Of' album, original co-producer Stephen Hague brought in Mike 'Spike' Drake to help re-engineer the song. The results were stunning. Not content merely remaster the track, the pair worked hard on all kinds of things: the stereo separation in the chorus effects was reduced, all the other reverb was cut by half or more, the vocals were mixed a little louder and much clearer, sibilants were no longer allowed to leave sustained echo trails, the drums were made slightly more dynamic, and all of the instruments are more distinct -- in other words, the unique dreamy, moody trappings of the original were stripped and tossed in the rubbish bin, leaving behind a naked, unremarkable pop song that would rise to #9 on the (evermore easily-climbed) UK pop chart, nearly eclipsing the original's #4 showing some seven years earlier.

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      • Want:171
      • Avg Rating:4.11 / 5
      • Ratings:88

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