Witt* / Heppner* – Die Flut

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Label:	Epic – EPC 665725 2
Format:	CD, Maxi-Single
Country:	Europe
Released:	1998
Genre:	Electronic
Style:	Electro, Synth-pop

Tracklist

1	Die Flut (Radio Edit) Lyrics By, Music By – Witt, Heppner Producer – Joachim Witt, José Alvarez-Bril*	4:14
2	Wintermärz Lyrics By, Music By – Witt* Producer – Joachim Witt	5:32
3	Twelve Lyrics By, Music By – Heppner* Producer – José Alvarez-Bril*, Peter Heppner	2:21
4	Die Flut (Long Version) Lyrics By, Music By – Witt, Heppner Producer – Joachim Witt, José Alvarez-Bril*	5:42

Companies, etc.

Record Company – Strange Ways Records GmbH
Phonographic Copyright ℗ – Zeitbombe
Copyright © – Sony Music Entertainment (Germany) GmbH
Distributed By – Sony Music
Licensed From – Zeitbombe
Licensed From – Strange Ways Records
Published By – Strange Ways Records
Published By – Hanseatic
Published By – Eisenherz
Produced At – The Factory, Belgium
Mastered At – Liquid Gold Mastering
Made By – Sony Music

Credits

Design Concept [Coverentwurf] – Peter Heppner
Design, Photography – G.W.O.*
Mastered By – Radu Marinescu

Notes

Issued in a J-card case with folded one-side-printed inlay card.

Track 1 and 4 produced at The Factory, Belgium.
Mastered at Liquid Gold Mastering Studio.

℗ 1998 Zeitbombe - ein Unternehmen der Strange Ways Records GmbH. [on disc]
© 1998 Sony Music Entertainment (Germany) GmbH under exclusive license from Zeitbombe / Strange Ways Records. [on inlay's flap]

Track 1, 2 and 4 published by Strange Ways Records / Hanseatic & Eisenherz.
Track 3 published by Strange Ways Records / Hanseatic.

"Epic" registered trademark. "Epic" is the exclusive trademark of Sony Music Entertainment Inc.
Made in Austria. [on disc]

Das neue Witt-Album "Bayreuth Eins" erscheint am 4. Mai 1998.

Barcode and Other Identifiers

Barcode (Text): 5 099766 572529
Barcode (Scanned): 5099766572529
Rights Society: BIEM
Rights Society (Boxed): SACEM SACD SGDL SDRM
Label Code: LC 0199
Price Code: CB 608
Other (Sony manufacturing code): 12-665725-14
Other (Format code, Compact Disc Maxi-Single Indicator): CD-MS
Matrix / Runout (Variation 1): Sony Music S1266572514-0101 25 A9
Mastering SID Code (Variation 1): IFPI L555
Mould SID Code (Variation 1): IFPI 948P
Matrix / Runout (Variation 2): Sony Music S1266572514-0101 13 A3
Mastering SID Code (Variation 2): IFPI L553
Mould SID Code (Variation 2): IFPI 94W7
Matrix / Runout (Variation 3): Sony Music S1266572514-0101 13 A3
Mastering SID Code (Variation 3): IFPI L553
Mould SID Code (Variation 3): IFPI 946B
Matrix / Runout (Variation 4): Sony Music S1266572514-0101 13 A1
Mastering SID Code (Variation 4): IFPI L553
Mould SID Code (Variation 4): IFPI 94Z4
Matrix / Runout (Variation 5): Sony Music S1266572514-0101 13 A4
Mastering SID Code (Variation 5): IFPI L553
Mould SID Code (Variation 5): IFPI 942S
Matrix / Runout (Variation 6): Sony Music S1266572514-0101 25 A1
Mastering SID Code (Variation 6): IFPI L555
Mould SID Code (Variation 6): IFPI 943N
Matrix / Runout (Variation 7): Sony Music S1266572514-0101 13 A2
Mastering SID Code (Variation 7): IFPI L553
Mould SID Code (Variation 7): IFPI 94Z7
Matrix / Runout (Variation 8): Sony Music S1266572514-0101 13 A6
Mastering SID Code (Variation 8): IFPI L553
Mould SID Code (Variation 8): IFPI 94V6
Matrix / Runout (Variation 9): Sony Music S1266572514-0101 13 A4
Mastering SID Code (Variation 9): IFPI L553
Mould SID Code (Variation 9): IFPI 942T
Matrix / Runout (Variant 10): Sony Music S1266572514-0101 25 A6
Mastering SID Code (Variant 10): IFPI L555
Mould SID Code (Variant 10): IFPI 947S

Other Versions (1)

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	Title (Format)	Label	Cat#	Country	Year
Recently Edited	Die Flut (CD, Maxi-Single)	Zeitbombe	tick 007	Germany	1998

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Reviews

Shir-Khan Sep 12, 2007
This single off Witt's Bayreuth Eins is decent in its own right - though adds nearly nothing to what you can experience on the album itself. The title duet is presented in two nearly identical versions, and the single also carries another album track. What makes it spectacular, however, is the track 'Twelve' sung by Peter Heppner - a celtic traditional-influenced number in Peter's unmistakeable bittersweet style. This is one of those forgotten B-side wonders that make collecting singles worthwhile.