glebvic
Gleb Kanasevich- NYC/Detroit
- Joined on October 23, 2018
- https://www.instagram.com/glebspicks
Releases
- Pending 14
- Releases Rated 2,597
- Rating Average 4.87
Marketplace
Contributor Stats
- Rank Points 120
- Average Vote 2.80
- Votes Received 5
- Last 10 Day Average N/A
- Last 10 Day Votes Received 0
Profile
Musician and curator.
I run a small label -- Unknown Tapes.
https://linktr.ee/unknowntapes
I only sell items from my collection that I've either upgraded or purged. I do not flip records!
Musician website:
https://www.glebkanasevich.com/
Physical media instagram below.
I run a small label -- Unknown Tapes.
https://linktr.ee/unknowntapes
I only sell items from my collection that I've either upgraded or purged. I do not flip records!
Musician website:
https://www.glebkanasevich.com/
Physical media instagram below.
Recent Activity
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I don't understand the 2/5 rating on this pressing. It sounds killer and is mastered very well. Deep grooves, very resilient to scratches. If you find an affordable copy, it's a steal.
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A fine album for the time, well arranged. A goldmine of samples and a lot of it is perfect soundtrack music. As an album of music, it feels pretty sterile. The funk is there, but it feels like a 70s go at The Meters with an updated, more electronic...
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Exceptional pressing. I've owner four other pressings, two original and two different 1974 represses and this one wins by a laughable margin. It's the pressing that this album deserved: ultra hot, clear, crisp, and yet so smooth and full-bodied....
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The album is good, pretty average UNTIL it gets to "Come To Jesus Now". Amazing slow number and just overall an absolute stunner. Amazing female lead vocal performances.
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A relatively average gospel set, quite old-fashioned. However, "God Will Take Care Of You" is an incredible track. The atmosphere and the feel of it is totally worth seeking out the record for a reasonable price.
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The album is a bit dated for 1973, but it's really great classic stuff. Performances and arrangements are quite stunning, as expected with The Holy Lights.
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The whole record is straight fire. Really worth seeking out. Soul jazz/modern soul with no filler.
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An AWESOME private press gospel set. Not just an inflated private press rarity, but actually a quality record throughout.
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How does one know if this version is a promo? Is there a stamp or any indication? The picture in this release has a normal looking label
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This record is perfection. Side A in particular. It's rare that a gospel soul record has a lot of great downtempo material, but here the slow stuff is truly triumphant.
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A really solid record with an incredible ending track that's very worth seeking out.
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Out of the non-Van Gelder pressings, this is one of Blue Note’s best. The fidelity and definition is amazing. The mastering is very similar in character to RVG, and having owned both, the original mono and this, I can attest that it’s very worth a...
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This is a great alternative to the original US pressing. I was not impressed with the original US press – it had some typical mid-60s prestige noise floor and dullness issues that echoes the low vinyl quality of many Status pressings. This pressing is...
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One of the hottest RVG cuts ever. This record is SO loud and blown out in a pretty creative way. Super cool. Dense, cerebral, really hard free jazz/modal stuff.
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This is a fantastic pressing. Beats the first press green label records hands down. Highly recommended over the first pressing for its loud, crisp mastering.
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Awesome record. Loses some steam on side B but still fire overall. Side A is some pretty hot disco/funk stuff
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A slow starter – great opener, but then 4 or 5 rather middle-of-the-road, generic, typical Savoy cuts. However, side B goes very deep on a couple occasions with "I'll Do Anything For You" and especially "Little Boy". An amazing track to close out the...
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4 or 5 tracks of absolute fire with weaker, more generic tracks scattered in between. "Somebody Needs You Lord", "I'm A Witness", "God Gave Us All He Had", "He'll Be There", and "Togetherness" are real standouts. Some absolutely killer material on this record.
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This is an INCREDIBLE modern gospel soul set. Highly highly recommended.
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The last two tracks are absolutely out of this world. The album is strong, but it finished in a breathtaking fashion of a whole different order.
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Definitely not a bootleg! It looks exactly like this repress, just with matched stereo center labels: https://www.discogs.com/release/19949542-Joe-Bataan-Riot
In some cases they just taped the "STEREO" sticker on existing mono jackets. The pressing I... See full review |
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Great LP, but does anyone else have a real issue with bass on this pressing? Mine has bass almost missing. I have to max out my bass frequencies on the EQ to get a nicely balanced sound.
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No distortion on my copy. Plays warm. Super worth it. Production makes me think of Moments or Whatnauts. Plays similar to those Stang records too.
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It's an INCREDIBLE fusion record. In a similar vein to Miles' definitive fusion efforts. Come quite a few years after In A Silent Way and Bitches Brew, so it's not that groundbreaking, but everything about this record is ultra successful. ECM pressing...
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jawnh because the pressing sounds incredible. It's a perfectly enjoyable affair for what it is. No reason to trash the rating for my subjective opinion of the music.
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I know Alligator Boogaloo gets a lot of love, but Hot Dog is definitely one of Lou’s strongest offerings from post-NY label era. The title track is just so tasty and epically “soul”. The title track also has some of Lou’s best solos put to tape in the...
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A really solid set, well ordered and put together. Goes super deep towards the end. Largo is one of the best tracks Ervin ever laid down, and Tyra is just a really compelling closer.
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Original was mono. The record was recorded still during the mono standard, before full stereo panning.
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Life Metal and Pyroclasts brought to full fruition. This session is more focused and formally sound. Troubled Air here is just out of this world and miles ahead of the Life Metal version. Awesome session.
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I wonder if the cover is meant as a tribute to Roger Dean's artwork on Budgie's "Squawk", but suggesting the anti-war, political sentiments expressed on "Weep In Silence".
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This album, while pretty frontloaded (side A is just monumental), is still pretty amazing. I Just Want To Be Loved and Don't Take My Sunshine deliver some of the strongest content in soul.
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The two last Chick Corea charts absolutely slay everything else. It's really great to have an album that really finishes with a bang. "I Should Care" is somehow very true to its name and is quite a lame dud in comparison to everything else on the...
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Some of the numbers on here are really great (the title track is particularly strong), but, dear lord, the existing Blue Note Classic vinyl pressing is terrible. I don't know whether I had a copy that somehow dulled down in someone's storage (it...
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I know there are many audiophiles and music lovers that seek a crisp and clear mix of everything, but I just fail to see how the remix can ever hold a candle to the original mix. The OG is crusty, gritty, gross, and queasy, and I can almost smell the...
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Not sure why anyone enjoys the Redux or why Kurt ever remixed it, but it sounds commercial and clean, completely contradicting the album's aesthetic. The original mix reminds me of 80s scandinavian crust punk like Rattus and Crude SS. It's completely...
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Most Pharaway Sounds reissues are well done, but this one is awfully tubby... It’s definitely not as gritty as the original, but I think if you’re looking for an authentic experience, just get the original 45s. The original pressing of this record is...
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Totally agreed. I find that the documentation here enhances the performance. It's really raw in a great way. Regardless of whether it was intentional or not, it definitely works and makes the record feel fragile and precious. This LP is a gem.
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You probably have the Keel pressing. It should have a serrated edge. New York labels, stereo, van gelder stamp, but no ear. There should be a very faint crooked K etched on side 1 too, but that's not always the case. :)
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One of the few remaining "budget" jazz gems from the golden CTI/Blue Note/Impulse!/Dutchman era. This was an unexpectedly superb album for me and it's definitely one of Turrentine's best. "I Haven't Got Anything Better To Do" is perhaps the weakest...
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The other reviewers hit the nail on the head here that this is post-Damo period and most Can fans know what they will get. There is acknowledgment of this set being very self-indulgent, but the sound is good and the musicianship is good. I'll weigh in...
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I haven't heard other pressings of this album, but this particular version sounds absolutely exceptional. One of the most beautifully produced and mastered prog records I've ever heard, and as it turns out it's a Robert Ludwig cut. Cannot recommend it enough.
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The relatively low rating of this release is kind of astonishing to me, as I think it's one of Gato's most soulful, profoundly unhinged, and personal performances captured on record. He shows amazing restraint with regards to his passagework. He isn't...
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