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Chable* & Bonnici*Ride

Label:Alternative Route Recordings – ARR014
Format:
Vinyl, 12", 33 ⅓ RPM
Country:UK
Released:
Genre:Electronic
Style:Progressive House, Progressive Breaks

Tracklist

route aRide (Original Mix)9:01
route bRide (Have A Break Mix)8:23
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Companies, etc.

Credits

Notes

Published by L Chable - Mushroom Music/wPWs, D Bonnici - Copyright Control
With thanks to Danielle at TSAR Management. Mark Bounds. Jamie Infusion and Sasha.

Alt. Route Tel: +44 208 552 2454 email: [email protected]
Distributed by Intergroove UK tel: +44 208 838 2000

℗ Alternative Route Recordings 2003
© Alternative Route Recordings 2003

Manufactured in England.

Barcode and Other Identifiers

  • Rights Society: MCPS
  • Matrix / Runout (A Side): 08 52766 20 1A1 ARR 014
  • Matrix / Runout (B Side): 08 52766 20 1B1 ARR 014

Other Versions (5 of 10)

View All
Title (Format)LabelCat#CountryYear
Ride (12", 33 ⅓ RPM, Promo, White Label, Stickered)Alternative Route RecordingsARR014UK2003
Ride (2×File, WAV)Alternative Route RecordingsARR014UK2003
Ride (King Unique Remix) (12", Single Sided, White Label)Alternative Route RecordingsARR025WLUK2004
Recently Edited
Ride (12", 33 ⅓ RPM)Alternative Route RecordingsARR025UK2005
Ride (2×File, WAV)Alternative Route RecordingsARR025UK2005

Recommendations

Reviews

  • James_Lauer's avatar
    James_Lauer
    Sander Kleinenberg dropping this way before released at Transit in Chicago and super banger at the right moment
    • Daniele-d-Agnelli's avatar
      Edited one year ago
      In this Podcast Luke Chable explained, that he did the track in an afternoon:
      https://youtu.be/_kRfkwsRVZ4?t=2877
      • Lester_Burham's avatar
        Lester_Burham
        Un break dinámico y una secuencia melódica embrujada, si no se te van las caderas con esta pista es que no estas viv@.

        Si la la cara B de este release fuera una película sería el claro ejemplo del porque no debe hacerse un remake, simplemente perfecto.
        • johnGROND's avatar
          johnGROND
          Are you a fan of Hybrid, Sasha, or Way Out West? You know, progressive breaks with big gnarly nasty moving sub-bass, beautiful pads and melodies? This release hits the mark on both mixes, but the "Have a Break" mix is top notch and on par with any release by those artists. A must-have for real fans.
          • kalin's avatar
            kalin
            Even after all those years, this release still sounds as good as it did back in 2003. I personally am more fond of the The "Have A Break Mix". It is such a winner of a track!
            • martin.blank.2015's avatar
              Quite possibly one the best records to ever exist. Have a Break remix - Instant Smiles Instant Vibes!
              • alexl's avatar
                alexl
                People talk about milestones in music. I first heard this on Sasha's Creamfields mix, Pete Tong announces "we've had one hell of a day and it looks like we are going to have one hell of a night" with this in the background, a tune and a half. It reminds me of Xpander and some Matthew Dekay productions. Available on Juno and the like get it listened to. Talk about tingles.
                • Es-Dva's avatar
                  Es-Dva
                  Edited 17 years ago
                  Quite possibly the best song/record i have ever heard and am glad to own!

                  The main feature of the song itself is the melody and numerous layers of saws and chable styled percussion, you get a wicked 4/4 mix in the original with the normal melody but turning over to the breaks mix and theres a real bueaty. the beats just sync into the melody so well that it makes you instantly smile and the melody is also slightly altered with short rolls on the notes to add a nice effect.
                  • pisces's avatar
                    pisces
                    So simple, yet so infectious and delicious! A perfect summer record that'll get the crowd roaring til sunrise. I saw it happen last year and it’ll happen again this summer! Both mixes are ace. Don’t know which I honestly prefer more. One for the four-to-the-floor and the other is a sweet broken beats that’s twisted to sound like your dizzy from the lights.

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