Tracklist
1 | Sworn To Secrecy | |
2 | Cradle To Grave | |
3 | Lies | |
4 | Twisted | |
5 | Helpless | |
6 | Scalp Bounty | |
7 | Rest Now (For Tomorrow Comes) | |
8 | No Voice | |
9 | Prophecy | |
10 | Release Me | |
11 | Transporting |
Companies, etc.
- Phonographic Copyright ℗ – Punishment 18 Records
- Copyright © – Punishment 18 Records
- Recorded At – Number 8 Studio Productions
- Recorded At – Silent Sounds Studios, Hollywood, CA
- Mixed At – Skull Seven Productions
- Mastered At – Skull Seven Productions
Credits
- Bass – Danny "Z" Pizzi*
- Drums – Roby Vitari
- Guitar – Mike Alvord (2)
- Mastered By – Bill Metoyer
- Mixed By – Bill Metoyer
- Vocals – Mike Alvord (2)
- Written-By, Arranged By, Producer – Mindwars
Notes
12-pages booklet, stapled.
Standard jewel case with transparent tray.
Standard jewel case with transparent tray.
Barcode and Other Identifiers
- Barcode: 8033712042565
- Matrix / Runout: HILUX - SWORN TO SECRECY -A064591
- Mastering SID Code: IFPI LZ59
- Mould SID Code: IFPI AHK07
Recommendations
Reviews
- Solid sophomore release by Mindwars
Released in 2016, SWORN TO SECRECY is the second album by Mindwars, headed by former Holy Terror guitarist Mike Alvord, who wrote their debatably best song ever, “Judas Reward.” See my review of Mindwars’s excellent debut album THE ENEMY WITHIN (2014) for details on the group. Their style is quirky thrash with diverse elements of other genres. If you favor bands like Voivod, Death Angel, Holy Terror, Sodom, etc. you’ll eat this stuff up.
While SWORN TO SECRECY lacks the head-turning song highlights of THE ENEMY WITHIN, like “Lost,” “Final Battle” and “Masters of War,” it’s a consistently good opus from beginning to end. Alvord sounds more confident in the vocal department. “Cradle to Grave” is a highpoint with its doomy opening before turning manic. The frantic “Twisted” is reminiscent of Dianno-era Maiden.
The heavy “Rest Now (for Tomorrow Comes)” features vocals that are similar to Mike Munro of Meliah Rage. The moody “Prophecy” is easily one of the top cuts with its eerie intro and is comparable to “Lost” in spirit. The closing instrumental “Transporting” is notable with its eccentric ‘acoustic’ opening and sound bites. “Helpless” and “Scalp Bounty” are other notables.
As a huge fan of Holy Terror, it’s great to see that cult band’s legacy continue via Mindwars. Not that Mindwars sounds like Holy Terror. They’re more quirky and diverse. Holy Terror had depth that kept you coming back for more, but they were hindered by a one-dimensional speed metal ethic and definitely needed to branch out with their non-existent third album. Thankfully, Mindwars does that (and they’re only a three-piece band, as opposed to Holy Terror’s five-piece).
GRADE: B+
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