The Moody Blues With The London Festival Orchestra Conducted By Peter Knight (5) – Days Of Future Passed
Label: | Deram – 530 663-1, Universal UMC – 530 663-1 |
---|---|
Format: | CD, Album, Reissue, Remastered |
Country: | Europe |
Released: | |
Genre: | Rock |
Style: | Psychedelic Rock, Symphonic Rock |
Tracklist
Stereo Remastered Album | |||
1 | The Day Begins | 5:51 | |
2 | Dawn: Dawn Is A Feeling | 3:49 | |
3 | The Morning: Another Morning | 3:48 | |
4 | Lunch Break: Peak Hour | 5:33 | |
The Afternoon | (8:23) | ||
5a | Forever Afternoon (Tuesday?) | ||
5b | (Evening) Time To Get Away | ||
Evening | (6:40) | ||
6a | The Sun Set | ||
6b | Twilight Time | ||
7 | The Night: Nights In White Satin | 7:30 | |
The Bonus Tracks | |||
BBC Radio Session | |||
8 | Don't Let Me Be Misunderstood | 2:25 | |
1967 Mono Single Masters | |||
9 | Fly Me High | 2:54 | |
10 | I Really Haven't Got The Time | 3:07 | |
11 | Love And Beauty | 2:24 | |
12 | Leave This Man Alone | 2:59 | |
13 | Cities | 2:23 | |
Alternate Versions & Out-Takes | |||
14 | Tuesday Afternoon (Alternate Mix) | 4:20 | |
15 | Dawn Is A Feeling (Alternate Version) | 2:19 | |
16 | The Sun Set (Alternate Version Without Orchestra) | 2:49 | |
17 | Twilight Time (Alternate Vocal Mix) | 2:27 |
Companies, etc.
- Phonographic Copyright ℗ – Decca Music Group Limited
- Copyright © – Decca Music Group Limited
- Manufactured By – Optimal Media GmbH – AH06605
- Recorded At – Maida Vale Studios
- Recorded At – Decca Studios
- Remastered At – Logical Box Studios
- Remastered At – The Audio Archiving Company
Credits
- Compiled By [Expanded CD Reissue], Producer [Expanded CD Reissue...Produced By] – Mark Powell
- Composed By – Knight*, Redwave
- Conductor [Conducted By] – Peter Knight (5)
- Coordinator [Project Coordinated...By] – Joe Black
- Cover [Original Cover Painting By] – David Anstey
- Design [CD Package] – Phil Smee
- Liner Notes – Hugh Mendl, Mark Powell
- Orchestra – The London Festival Orchestra*
- Photography By [Photographs On Pages 7 & 15 Courtesy] – Pictorial Press
- Remastered By [Album Stereo Mix Remastered From The Original Master Tapes By] – Alberto Parodi, Justin Hayward
- Remastered By [Bonus Track Remastering By] – Paschal Byrne
- Research [Master Tape] – Jayne Byrne
Notes
[On back of case:]
"Originally released as Deram SML707 in November 1967." [ Days Of Future Passed ]
"(P)(C) 2008 Decca Music Group Limited"
[From liner notes:]
"Project coordinated For Universal Music By Joe Black"
"CD Package design by Phil Smee at Waldo's Design & Dream Emporium"
"THE BONUS TRACKS"
Track 8: "BBC Radio session for "Saturday Club" - Recorded May 9, 1967"
"...artists were invited to record sessions at the BBC's studios in Maida Vale, London."
"This recording...is the earliest surviving Moody Blues BBC session to feature Justin Hayward and John Lodge."
"..."Don't Let Me Be Misunderstood" (a hit some years earlier for The Animals)...with Ray Thomas's flute..."
Track 9: "A-side of single"
Track 10: "B-side of single"
"Released as Decca F12607 in May 1967" [ The Moody Blues - Fly Me High ]
"The first Moody Blues release to feature new members Justin Hayward and John Lodge. Recorded on March 30, 1967..."
Track 11: "A-side of single"
Track 12: "B-side of single"
"Released as Decca F12670 in September 1967" [Similar to The Moody Blues - Leave This Man Alone ]
"Recorded on July 17, 1967, Mike Pinder's "Love And Beauty"...has the distinction of being the first Moody Blues recording to feature his use of the Mellotron."
"Justin Hayward's..."Leave This Man Alone," recorded on June 29, 1967, features...flanged guitar..."
Track 13: "B-side of single"
"Released as Deram DM 161 in November 1967" [ The Moody Blues - Nights In White Satin ]
"Recorded on July 17, 1967...released as the single companion to "Nights In White Satin" throughout the world."
Tracks 14 & 15: "Recorded at Decca Studios West Hampstead -
October 24, 1967"
Tracks 16 & 17: "Recorded at Decca Studios West Hampstead -
October 26, 1967"
"In 1967 multi-track recording was essentially in its infancy, with 8-track tape recorders still some months away from arriving in Britain. In common with the techniques adopted by The Beatles on their Sergeant Pepper album, Days Of Future Passed was recorded by utilizing two four-track tape machines. Prior to orchestral overdubs being undertaken, the initial four-track tape was mixed down and then transferred to another four-track tape to allow further overdubs to take place. These recordings are initial reductions used as part of the process and serve as a fascinating insight into the ingenuity employed during the creative process."
Issued in a jewel case with clear tray and 20-page booklet.
"Originally released as Deram SML707 in November 1967." [ Days Of Future Passed ]
"(P)(C) 2008 Decca Music Group Limited"
[From liner notes:]
"Project coordinated For Universal Music By Joe Black"
"CD Package design by Phil Smee at Waldo's Design & Dream Emporium"
"THE BONUS TRACKS"
Track 8: "BBC Radio session for "Saturday Club" - Recorded May 9, 1967"
"...artists were invited to record sessions at the BBC's studios in Maida Vale, London."
"This recording...is the earliest surviving Moody Blues BBC session to feature Justin Hayward and John Lodge."
"..."Don't Let Me Be Misunderstood" (a hit some years earlier for The Animals)...with Ray Thomas's flute..."
Track 9: "A-side of single"
Track 10: "B-side of single"
"Released as Decca F12607 in May 1967" [ The Moody Blues - Fly Me High ]
"The first Moody Blues release to feature new members Justin Hayward and John Lodge. Recorded on March 30, 1967..."
Track 11: "A-side of single"
Track 12: "B-side of single"
"Released as Decca F12670 in September 1967" [Similar to The Moody Blues - Leave This Man Alone ]
"Recorded on July 17, 1967, Mike Pinder's "Love And Beauty"...has the distinction of being the first Moody Blues recording to feature his use of the Mellotron."
"Justin Hayward's..."Leave This Man Alone," recorded on June 29, 1967, features...flanged guitar..."
Track 13: "B-side of single"
"Released as Deram DM 161 in November 1967" [ The Moody Blues - Nights In White Satin ]
"Recorded on July 17, 1967...released as the single companion to "Nights In White Satin" throughout the world."
Tracks 14 & 15: "Recorded at Decca Studios West Hampstead -
October 24, 1967"
Tracks 16 & 17: "Recorded at Decca Studios West Hampstead -
October 26, 1967"
"In 1967 multi-track recording was essentially in its infancy, with 8-track tape recorders still some months away from arriving in Britain. In common with the techniques adopted by The Beatles on their Sergeant Pepper album, Days Of Future Passed was recorded by utilizing two four-track tape machines. Prior to orchestral overdubs being undertaken, the initial four-track tape was mixed down and then transferred to another four-track tape to allow further overdubs to take place. These recordings are initial reductions used as part of the process and serve as a fascinating insight into the ingenuity employed during the creative process."
Issued in a jewel case with clear tray and 20-page booklet.
Barcode and Other Identifiers
- Barcode (Text): 6 00753 06631 7
- Barcode (Scanned): 600753066317
- Label Code: LC 00171
- Matrix / Runout (Variants 1-3): [Universal logo] 5306631 [Universal logo] AH06605-01 manufactured by optimal media GmbH
- Mastering SID Code (Variants 1-3): IFPI L577
- Mould SID Code (Variant 1): IFPI 5722
- Mould SID Code (Variant 2): IFPI 9755
- Mould SID Code (Variant 3): IFPI 9706
- Rights Society: BIEM
- Rights Society: SABAM
Other Versions (5 of 354)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Days Of Future Passed (LP, Album) | Deram | SML 707 | UK | 1967 | ||
Recently Edited | Days Of Future Passed (LP, Album) | Deram | SMLA 707 | Australia | 1967 | ||
Recently Edited | Days Of Future Passed (Reel-To-Reel, 3 ¾ ips, ¼", 4-Track Stereo, 7" Cine Reel, Album) | Deram | DER X 77012 | US | 1967 | ||
Days Of Future Passed (LP, Album, Stereo) | Deram | SML 707 | Germany | 1967 | |||
Recently Edited | Days Of Future Passed (LP, Album, Mono) | Deram, Deram | DML 707, DML.707 | UK | 1967 |
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