Traffic – John Barleycorn Must Die

So it was recorded in the UK but mastered in the US at Sterling by Lee Hulko? The UAS on the run out is for United Artists label in the US. So where were the master tapes and first stampers cut?

This UK pressing is the best that I have listened too. My favorite Traffic album.

11/12

I used to listen to this album as a child. The CD I’m currently using is one given to me by an ex girlfriend. That’s a pretty cool gift to get from a girlfriend.

It’s pretty bold to start off the album with a seven minute instrumental track. Every song after that has vocals, and Winwood is absolutely incredible. He may be one of my favorite vocalists.

I love progressive rock with a passion and this is it, combined with some secondary elements of jazz rock and folk, which makes it even better. It’s like Jethro Tull meets Steely Dan.

“John Barleycorn” is a masterpiece of a song and a great narrative song allegorizing alcohol. It has a fascinating story, incredible harmonizing vocals, and several flute solos. Based on the album name and track name, I would’ve thought it would be a concept album, but unfortunately it’s just one track. Even though the album is good as it is, I feel like they could’ve made it more narrative or thematic, to really hammer away at the John Barleycorn story. The most thematic element is that there are a few songs that allude to alcohol (which a narrative can be creatively construed that way. “Glad” could just be the initial happy drunk stage) and to love.

Bangers:
“John Barleycorn”, “Every Mother’s Son”, “Sittin’ Here Thinking of My Love”, and “Stranger to Himself”

ALBUM ARTWORK:
12/12
The cover is simple and perfect. It’s a sepia toned, burlap sack looking background with a bundle of Barleycorn drawn over top. The title makes a nice arch around the plant and the band name sits directly under. It’s visually pleasant and the textures are very nice.

This was one of the first albums I bought when I was getting into vinyl. Had a beat up copy first and eventually hung the gatefold on my wall (what a kid!) Eventually found this 1st edition UK edition which I'm very happy with. Nice, balanced sound. Musically, it's got a great feel. I'm not totally sold on Winwood's vocal delivery. He's got a great, soulful voice, but the way he sings suggests that these songs could have been even more profound with a deeper voice that wouldn't crack at the high register, which is the effect he's going for but doesn't always work. Still, very well constructed songs and a classic album from 1970 that blends folk and rock in a way which is highly enjoyable.

Sure would appreciate any additional information on the very last version listing Island 90058-1, US pressing with light blue label, unknown release date. Is this really a rare pressing as noted by a Discogs member who is selling a copy of this LP?