Courtney Pine – Journey To The Urge Within
Label: | Island Records – ILPS 9846 |
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Format: | Vinyl, LP, Album |
Country: | UK |
Released: | |
Genre: | Jazz |
Style: | Contemporary Jazz |
Tracklist
A1 | Mis-Interpret | 4:15 | |
A2 | I Believe | 4:36 | |
A3 | Peace | 5:20 | |
A4 | Dolores | 3:29 | |
A5 | As We Would Say | 3:19 | |
B1 | Children Of The Ghetto | 7:02 | |
B2 | When, Where, How And Why | 5:20 | |
B3 | C.G.C | 4:28 | |
B4 | Seen | 4:28 | |
B5 | Sunday Song | 1:27 |
Companies, etc.
- Phonographic Copyright ℗ – Island Records Ltd.
- Recorded At – Angel Studios
- Recorded At – Power Plant Studios
- Mixed At – Angel Studios
- Published By – Copi Music
- Published By – Ecaroh Music Inc.
- Published By – Miyako Music
- Published By – Zomba Music Publishers Ltd.
- Pressed By – EMI Records
Credits
- A&R – Malcolm Dunbar
- Arranged By – Courtney Pine (tracks: A1 to A5, B2 to B5)
- Baritone Saxophone – Ray Carless (tracks: A1, B2)
- Bass – Gary Crosby (tracks: A1 to B4)
- Bass Clarinet – Courtney Pine (tracks: A5, B3)
- Drums – Mark Mondesir (tracks: A1 to B2, B4)
- Engineer – John Timperley (tracks: A1 to A5, B2 to B5)
- Engineer [Assistant] – Gary Thomas (4) (tracks: A1 to A5, B2 to B5)
- Engineer [Mixing, Assistant] – Gary Thomas (4)
- Engineer [Mixing] – John Timperley
- Executive-Producer – Billy Banks
- Guitar – Martin Taylor (tracks: B1)
- Keyboards – Roy Carter (tracks: B1)
- Liner Notes – Brian Case (2)
- Liner Notes [Notes About The Original Music] – Courtney Pine
- Mixed By – John Timperley
- Percussion – Ian Mussington (tracks: B1)
- Photography By – David Hiscock (2)
- Piano – Julian Joseph (tracks: A1 to A4, B1, B2, B4, B5)
- Producer – Michael Cuscuna (tracks: A1 to A5, B2 to B5)
- Sleeve – Island Art
- Soprano Saxophone – Courtney Pine (tracks: A1, A2, A4, B5)
- Tenor Saxophone – Courtney Pine (tracks: A3, B1, B2, B4)
- Trumpet – Kevin Robinson (4) (tracks: A5, B2)
- Vibraphone – Orphy Robinson (tracks: A1, B2)
- Vocals – Cleveland Watkiss (tracks: A1, B2, B3), Susaye Greene (tracks: B1)
- Written-By – Courtney Pine (tracks: A1, A2, A5, B2 to B5)
Notes
Recorded at Angel Studios London, July 21st to 23rd 1986 except "Children Of The Ghetto" recorded at Power Plant, London August 27th 1986
℗ 1986 Island Records Ltd
℗ 1986 Island Records Ltd
Barcode and Other Identifiers
- Barcode: 5 014474 108464
- Matrix / Runout (Variant 1, side A): ILPS 9846 A-1-1-3-
- Matrix / Runout (Variant 1, side B): ILPS 9846 B-1-1-2-
- Matrix / Runout (Variant 2, side A): ILPS 9846 A-1-1-4-
- Matrix / Runout (Variant 2, side B): ILPS 9846 B-1-1-4-
- Matrix / Runout (Variant 3, side A): ILPS 9846 A-1-1- D 1
- Matrix / Runout (Variant 3, side B): ILPS 9846 B-1-1- D 1
Other Versions (5 of 22)
View AllTitle (Format) | Label | Cat# | Country | Year | |||
---|---|---|---|---|---|---|---|
Recently Edited | Journey To The Urge Within (LP, Album, Stereo, Hauppauge Pressing) | Antilles New Directions | AND 8700 | US | 1986 | ||
New Submission | Journey To The Urge Within (LP, Album) | Island Records | R28D-2053 | Japan | 1986 | ||
New Submission | Journey To The Urge Within (Cassette, Album) | Island Records | ICT 9846 | UK | 1986 | ||
New Submission | Journey To The Urge Within (LP, Album) | Island Records | ISL-1120 | Canada | 1986 | ||
New Submission | Journey To The Urge Within (LP, Album) | Antilles New Directions | 90909-1 | US | 1986 |
Recommendations
Reviews
- Edited 2 years agoSolid debut from one of the most talent 80´s UK jazz saxophonists. As he recalls, Rollins or Coltrane were his most inspirations. Yes somethimes reminds them, but I like his power or drive to find his own style. As usual for that stage of evolution is important which kind of musicians are around in the group. Julian Joseph should have more space... Despite some heterogeneous moments (many styles in short tracks), there is interesting music and songs. Ambitious originals offers Pine composition potential, well documented by group feeling ( including vocal parts ) and improvisations. The result is not essential, but promising and worth to discover. My light as papper pressing has some distortion on A side, but not so important. The sound reflects rising digital era with highlighted edges of frequency spectrum. Recommended.
- Enjoyed this. It's very well mastered and pressed but the content is a bit odd. There's very little musical narrative beginning to end and feels like a collection of ideas rather than something fully-formed. Some real high points and almost the same amount of "meh" moments which de-escalate it from potential great album to one you're happy to listen to and recommend but stop it reaching any "best of" lists. Still worth an hour of anyone's time imo.
Release
For sale on Discogs
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